4 Songs & A Fight

4 Songs & A Fight //
LET'S HAVE SOME FUN, THIS BEAT IS SICK //
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ifthese-sh33ts-werethestates:

glorialovescats:

visual representation of putting your trust in someone

too powerful not to reblog

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thexxsoundboard:

Day off. xx The xx

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onefitmodel:

mkslife:

#quote #inspire #health #yoga #yogaquotes

so true.

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smithsonianmag:

The Evolution of the Treble Clef
The curving flourishes of music notation have always been something a mystery to me, although every day I, like many people, use other arcane symbols without thinking twice about it. The at (@) sign, the dollar sign ($) and the ampersand (&), for example, all function like ligatures or some sort of shorthand. They’ve been demystified by popular use in email, clues on “Wheel of Fortune,” and their inclusion on computer keyboards. But music notation is a semantic system that is entirely different from the written word; a non-spoken alphabet of pitch and rhythm. So, with apologies to the more musically inclined reader, I looked into the origin of the treble clef and the answer was quite simple. The treble clef, the top symbol you see in the photo above, is also known as the G-clef, which gives you the first clue to its origin.
So for my own edification, if nothing else, let’s start with the basics. A clef is a sign placed on a music staff that indicates what pitch is represented by each line and space on the staff. The history of Western musical notation describes an effort toward the development a simple, symbolic representations of pitch and rhythm. It begins near the end of the 9th century when notation for the Plainsong of the Western Church, better known as Gregorian Chant, was first recorded with “neumes”. These were simple dashes or dots above lyrics that indicated a relative change in pitch. At the end of the 10th century, musical scribes increased the precision of his early notation by introducing a horizontal line to indicate a base pitch (see above image). The pitch of this line was indicated by a letter at its start – typically F or C and, as higher range songs become more common, G. Neumes were no longer relative only to one another, but to a standard. This was the beginning of the musical staff.
Continue reading at Smithsonian.com

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